This is what everyone who is in Mark Knopfler’s position should do. Not “try and talk some sense” into fascist homophobes like Vitaly Milonov, as the otherwise admirable Stephen Fry recently did. Or “stand in solidarity” with political prisoners Pussy Riot on a Moscow concert stage, as Madonna did, all the while raking in hundreds of thousands of dollars in concert fees. The first tack violates the old anti-fascist “no platform” rule, while the second does that, too, while also generating tons of buzz for the Milonovites. More important, it rewards the relatively well-off strata of the Russian urban populace, the people who can afford tickets to Madonna and Knopfler concerts and the like, who are in fact the real bulwark of Putinism (rather than some imaginary post-Soviet “conservative” provincial “grassroots” post-proletariat), at least (but only at least) insofar as these people have been mostly absent from the fight against Putinism or any of its manifestations. In fact, if nothing else, Knopfler’s one-man boycott of their cities might alert otherwise “blissfully” unaware Petersburgers and Muscovites to the recent prosecutorial raids against NGOs in the country, which have included not only (as Knopfler mentions in his statement) Amnesty International and Human Rights Watch, but hundreds of lesser organizations like the Finnish Institute in St. Petersburg, the Caritas Catholic charity’s support center for disabled children in the city, the Petersburg rights organizations Citizens Watch and Coming Out (Vykhod), as well as the NGO Development Center, the German-Russian Exchange, the Centre for Independent Social Research, the Institute for Information Freedom Development and the offices of the LGBT film festival Side by Side (to mention only a few), as well as branches of Alliance Française in several other major Russian cities.
We recently reflected, so to speak, on the odd news that Manifesta, the ultra-progressive European biennial of contemporary art, had chosen Petersburg—once the “cradle of three revolutions,” now a depressive semi-fascist dump ruled over by dreary officially titled bandits in bad suits who think that legislative homophobia and “Cossacks” are a terrific way of preventing their subject population from noticing the really obvious drawbacks in their continuing “governance” of the city—for its super-serious high-brow art hootenanny next year. Upon hearing this same news, Russian contemporary art curatorial doyenne Olga Sviblova commented, “[T]here’s no reason to get all stirred up about it being in St Petersburg. We have already spent 20 years living in a normal, free country, just the same as any others.” This is manifestly not the case, and it is only by pulling (temporarily, we hope) the plug on their supply of entertainment and cultural labor that people outside Russia who are in a position to do so can show real solidarity with Russian political prisoners, local NGOs, and other people and groups targeted by the Putinist police state.
Russia dates cancelled
Thursday – Apr 04, 2013
Mark’s June 7 show in Moscow and June 8 date in St. Petersburg have been cancelled. Ticket holders should contact their point of purchase for refunds.
Please see Mark’s official statement below:
Given the crackdown by Russian authorities on groups including Amnesty International and Human Rights Watch, I have regretfully decided to cancel my upcoming concerts in Moscow and St. Petersburg in June. I have always loved playing in Russia and have great affection for the country and the people. I hope the current climate will change soon.