Tag Archives: European University Saint Petersburg

Chto Delat Summer School: Slavoj Žižek and Mladen Dolar

A SERIES OF LECTURES BY SLAVOJ ŽIŽEK AND MLADEN DOLAR
Chto Delat Summer Educational Program
 August 20—23, 2012

Monday, August 20
National Center of Contemporary Art
Moscow, Zoologicheskaya, 13
11.00—14.30
– Mladen Dolar, OFFICERS, MAIDS AND CHIMNEY SWEEPERS
– Slavoj Žižek, WHY PSYCHOANALYSIS MATTERS MORE THAN EVER
16.00—18.30 – THE URGENCY OF THOUGHT: PHILOSOPHY, POLITICS, PSYCHOANALYSIS (panel discussion)

Chinese Pilot Jao Da (Lubyansky proyezd, 25)
22.00 – Concert by the band Arkady Kots

Tuesday, August 21
Institute of Philosophy of Russian Academy of Sciences
Moscow, Volkhonka, 14
15.00—18.00 – Slavoj Žižek, IS IT STILL POSSIBLE TO BE A HEGELIAN TODAY? (lecture introduced by Mladen Dolar)

Wednesday, August 22
European University in St. Petersburg
St. Petersburg, Gagarinskaya, 3
17.00—19.00 – Mladen Dolar, WHAT, IF ANYTHING, IS AN ATOM?
20.00 – Chto Delat film screening

Thursday, August 23
European University in St. Petersburg
St. Petersburg, Gagarinskaya, 3
12.00—14.00 – Slavoj Žižek, WELCOME TO THE DESERT OF POST-IDEOLOGY
16.00—19.00 – IS THERE A REASON IN HISTORY? STATE AND REVOLUTION TODAY (panel discussion)

* Advance registration required to attend the events at the European University in St. Petersburg: e-mail sociopol@eu.spb.ru or phone +7 812 3867633
* Advance registration required to attend the events at the National Centre of Contemporary Art in Moscow: e-mail pr@ncca.ru or phone +7 (499) 254 84 92
* For all organizational questions and press inquiries, phone +7 903 5931935 or e-mail oxana_san@yahoo.com
* All events in Moscow (August 20-21) will be accompanied by translation
* All events in St. Petersburg (August 22-23) will be conducted in English

 

 

 

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When One Has to Say “We” (Saint Petersburg)

The Critical Art Laboratory at the European University at Saint Petersburg presents:

When One Has to Say “We”: Art as the Practice of Solidarity

Participating Artists: Factory of Found Clothes (Gluklya and Tsaplya); Nikolay Oleynikov (Moscow); Street University; R.E.P. Group (Kiev); Alexander Veryovkin (Samara); Arseny Zhilyaev (Moscow); Babi Badalov and Jacques Crenn (Paris); Marina Narushkina (Minsk/Berlin); Darya Irincheeva; Sergey Chernov (Saint Petersburg); Nina Gasteva (Saint Petersburg); Anton Litvin (Moscow); Right to the City Movement (Moscow); Affinity Group (Saint Petersburg); Extra-governmental Control Commission (Moscow); Radek Community; Chto Delat Collective

along with the many other artists who will participate in a three-month program of seminars, screenings, and workshops that runs until late June 2010.

Curator: Dmitry Vilensky (Critical Art Laboratory at the European University; Chto Delat Collective)

Opening: 7:00 p.m., April 8, 2010

Gym of the European University at Saint Petersburg

Gagarinskaya, 3, Saint Petersburg, Russia

This project is realized as part of the international conference The Politics of the One: The Limits of Fragmentation and the Chances for Consolidation, organized by Smolny Institute of Liberal Arts and Sciences, The European University at Saint Petersburg, and Centre d’amitié franco-russe.

The exhibition is organized with financial support from the Chto Delat Foundation.

We gratefully acknowledge all the artists, volunteers, and friends who have made this project possible through their hard work and trust.

Premises

Many people are familiar with moments in life when it becomes clear that they have to unite with other people to accomplish simple and urgent tasks:

We, the residents of house no. X, demand that the illegal construction next to our house be stopped…

We, the workers of factory X, demand payment of back wages…

We demand an end to neo-Nazi terror…

What do these things have to do with art?

Even people who believe that artists are starry-eyed creatures living in an ivory tower sometimes catch sight of the fact that this tower has long ago been transformed from the tidy space of art for art’s sake into a factory where the majority are relegated (in the best case) to work on the conveyor belt. It thus becomes clear that change is necessary. Otherwise, without the possibility to realize ourselves with dignity, we will suffocate.To make this change happen we have to unite with other comrades, with people who also sense that things are going wrong.

The art system is not situated within the abstract realm of daydreams or the private world of the studio and the gallery. On the contrary, it is part of public life. To change this system we need to be sensitive to the general processes at work in society, and we need to take part in them.

Context

The exhibition is part of the international multidisciplinary conference The Politics of the One: The Limits of Fragmentation and the Chances for Consolidation. The conference is dedicated to forms of solidarity and multiplicity in the contemporary world. The speakers will address issues of contemporary philosophy, as well as collective political practices for transforming the world.

Social connectivity – in particular, sociopolitical solidarity – is in a state of crisis today. Social atomization enables globalization processes, the collapse of collectivist ideologies, and the technologization of state power. The available alternatives include nationalist or fundamentalist authoritarian movements, or bureaucratic attempts to manufacture solidarity on the basis of “constitutional patriotism” or around the figure of a “national leader.” For Russian society, which underwent a massive sociopolitical revolution during the eighties and nineties, social atomization and political apathy are particularly characteristic. People have a hard time cooperating with their next-door neighbors, not to mention finding solidarity with those more distant from them. At the same time, a multitude of small-scale collective initiatives have emerged in Russia. They differ both from traditional Soviet forms and established western practices. Analysis of these initiatives is one of the focuses of both the conference and the exhibition.

Concept

We want to create a public exhibition space that takes the form of a process in which all utterances – graphic works, seminars, film screenings or discussions – produce a context of cooperative co-existence and enter into dialogue with each other, thus accumulating new meanings and generating their own common history.

By relying on its acknowledged autonomous status in contemporary society, art has the capacity for continuous innovation, inquiry, and critique of the forms in which people organize their lives together, and it is these functions that define art’s role in social life. While preserving such generic features as freedom of expression and the constant overcoming of the aesthetic status quo, art is capable of questioning not only the consensus about what it can and should be, but also the basis of this consensus, which is contained in established forms of political agreement and unity.

The logic of this project is bound up with an expanded notion of art and the artist in today’s world. For us, art is not a narrowly specialized activity engaged in by professionals, but one of the principal elements of creative public speech, something that can be practiced by any engaged, passionate human being.

At the same time, we do not advocate an amateur, non-obligatory attitude to art. On the contrary, we believe that if they are willing to take seriously the issue of self-presentation and find unique ways of inscribing themselves into the artistic context, a multitude of creative and activist practices can acquire a completely different but no less important dimension in the process of interacting with a broad spectrum of contemporary art.

Image by R.E.P. Group

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Filed under activism, art exhibitions, contemporary art, protests, Russian society, urban movements (right to the city)

“Pugovka”: A Film about the Battle to Reopen the European University

Vodpod videos no longer available.

This film by Ilya Utekhin, an ethnologist at the European University in Saint Petersburg, documents the closure of the university in February 2008 by fire inspectors and the vigorous, highly creative campaign on the part of students, faculty, and their supporters (at home and abroad) to reopen it. The university was in fact reopened on March 21, 2008.

In Russian, without English subtitles, but certainly worth a look even if you don’t understand Russian. Running time is 44 minutes. The title refers to a song by the great Russian bard singer Yuli Kim, which you will see him performing live at the end of the film.

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Filed under activism, film and video, student movements