Tony Garifalakis, “Anti Christs” (detail), 2012.
C-type print. Courtesy of the artist.
Everything Falls Apart
Part I: 27 June–5 August 2012
Opening: Wednesday, 27 June, 6pm
Part II: 10 August–16 September 2012
Opening: Thursday, 9 August, 6pm
43–51 Cowper Wharf Road
Woolloomooloo NSW 2011
Hours: Office 10–6pm, Mon–Fri
Gallery 11–5pm, Tues–Sun
T +61 2 9356 0555
Part I: Alessandro Balteo Yazbeck in collaboration with Media Farzin, Jem Cohen, Phil Collins, Sarah Goffman, and Sarah Morris
Part II: Vernon Ah Kee, Zanny Begg & Oliver Ressler, Jem Cohen, Tony Garifalakis, and Merata Mita
Curators: Mark Feary and Blair French
Everything Falls Apart brings together several significant works by international and Australian artists presented over two exhibitions. Overall, the project focuses on works examining the collapse of ideological and political systems—actual, imagined, desired—be this via specific events or through broader consideration of the dissolution of or confrontation with capitalist, colonial, or totalitarian regimes. The works often draw on existing footage, personal recollection, and reconstitution. They form around relationships between the individual and the mass, felt or articulated through interwoven conversation, testimony, and narrative.
Part I clusters works that act as reflective analysis in and of the aftermath of system disintegration, including ecological and cultural belief systems. Part II homes in on the moments and territories of conflict—the abrasive meeting of institutionalised power and its counter-energies and structures. With an emphasis upon video work, woven together by new installation interventions, common threads connecting these distinct works become apparent: failings of the state, crumbling ideologies, dissolving authoritative measures of control, the generative energies and collective impulses of anti-institutional collective cultural and social identity, the failings of history as both efficacious event narrative and discursive form, the individual as both the subject of and counterforce to the dominance of the mass.
Everything Falls Apart will be presented at Artspace in the organisation’s twentieth year in the Gunnery building fronting Sydney Harbour in Wolloomooloo. The exhibition series forges connections between the work of major international artists such as Phil Collins, Sarah Morris, and Alessandro Balteo Yazbeck (in collaboration with Media Farzin) and projects by Australia-based Vernon Ah Kee, Zanny Begg, Tony Garifalakis, and Sarah Goffman. The two parts of the project are linked by a number of film works by American filmmaker Jem Cohen, with Part I of Everything Falls Apart featuring Cohen’s Gravity Hill Newsreel series, and Part II presenting the film Little Flags (1991–2000). Everything Falls Apart will also feature three screenings of late New Zealand filmmaker Merata Mita’s Patu! (1983).
In association with the exhibition, Artspace and the National Institute for Experimental Arts, University of New South Wales will present a one-day symposium, Another World, on 17 August 2012. Another World will ask how twenty-first-century global crises—whether financial, environmental, social, or political—have transformed the context of art practice and analysis. In the face of the Occupy movements, the Arab Spring, climate change, and environmental disaster, what new aesthetic tactics and strategies are emerging? How do new ways of operating challenge existing modes of representation, exhibition-making, and theoretical analysis? Do we need to rethink our disciplinary practices in response to the demands of the momentous events that shape contemporaneity or the new everyday? Participants will include Jill Bennett (National Institute for Experimental Art, UNSW), Blair French (Artspace), Nicholas Mirzoeff (New York University), Kim Simon (Gallery TPW, Toronto), and Terry Smith (University of Pittsburgh).
Artspace is supported by the Visual Arts and Craft Strategy, an initiative of the Australian, State, and Territory Governments. Artspace is assisted by the New South Wales Government through Arts NSW and by the Australian Government through the Australia Council, its principal arts funding body. Artspace is a member of CAOs (Contemporary Art Organisations Australia) and Res Artis (International Association of Residential Art Centres).