Tag Archives: climate change

Everything Falls Apart (Sydney)

Artspace, Sydney

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Tony Garifalakis, “Anti Christs” (detail), 2012.
C-type print. Courtesy of the artist.

Everything Falls Apart
Part I: 
27 June–5 August 2012
Opening: Wednesday, 27 June, 6pm

Part II: 
10 August–16 September 2012
Opening: Thursday, 9 August, 6pm

Artspace, Sydney
43–51 Cowper Wharf Road
Woolloomooloo NSW 2011
Sydney, Australia
Hours: Office 10–6pm, Mon–Fri
Gallery 11–5pm, Tues–Sun

T +61 2 9356 0555
artspace@artspace.org.au
www.artspace.org.au

Part I: Alessandro Balteo Yazbeck in collaboration with Media Farzin, Jem Cohen, Phil Collins, Sarah Goffman, and Sarah Morris
Part II: Vernon Ah Kee, Zanny Begg & Oliver Ressler, Jem Cohen, Tony Garifalakis, and Merata Mita
Curators:
Mark Feary and Blair French

Everything Falls Apart brings together several significant works by international and Australian artists presented over two exhibitions. Overall, the project focuses on works examining the collapse of ideological and political systems—actual, imagined, desired—be this via specific events or through broader consideration of the dissolution of or confrontation with capitalist, colonial, or totalitarian regimes. The works often draw on existing footage, personal recollection, and reconstitution. They form around relationships between the individual and the mass, felt or articulated through interwoven conversation, testimony, and narrative.

Part I clusters works that act as reflective analysis in and of the aftermath of system disintegration, including ecological and cultural belief systems. Part II homes in on the moments and territories of conflict—the abrasive meeting of institutionalised power and its counter-energies and structures. With an emphasis upon video work, woven together by new installation interventions, common threads connecting these distinct works become apparent: failings of the state, crumbling ideologies, dissolving authoritative measures of control, the generative energies and collective impulses of anti-institutional collective cultural and social identity, the failings of history as both efficacious event narrative and discursive form, the individual as both the subject of and counterforce to the dominance of the mass.

Everything Falls Apart will be presented at Artspace in the organisation’s twentieth year in the Gunnery building fronting Sydney Harbour in Wolloomooloo. The exhibition series forges connections between the work of major international artists such as Phil Collins, Sarah Morris, and Alessandro Balteo Yazbeck (in collaboration with Media Farzin) and projects by Australia-based Vernon Ah Kee, Zanny Begg, Tony Garifalakis, and Sarah Goffman. The two parts of the project are linked by a number of film works by American filmmaker Jem Cohen, with Part I of Everything Falls Apart featuring Cohen’s Gravity Hill Newsreel series, and Part II presenting the film Little Flags (1991–2000). Everything Falls Apart will also feature three screenings of late New Zealand filmmaker Merata Mita’s Patu! (1983).

Symposium
In association with the exhibition, Artspace and the National Institute for Experimental Arts, University of New South Wales will present a one-day symposium, Another World, on 17 August 2012. Another World will ask how twenty-first-century global crises—whether financial, environmental, social, or political—have transformed the context of art practice and analysis. In the face of the Occupy movements, the Arab Spring, climate change, and environmental disaster, what new aesthetic tactics and strategies are emerging? How do new ways of operating challenge existing modes of representation, exhibition-making, and theoretical analysis? Do we need to rethink our disciplinary practices in response to the demands of the momentous events that shape contemporaneity or the new everyday? Participants will include Jill Bennett (National Institute for Experimental Art, UNSW), Blair French (Artspace), Nicholas Mirzoeff (New York University), Kim Simon (Gallery TPW, Toronto), and Terry Smith (University of Pittsburgh).

Artspace is supported by the Visual Arts and Craft Strategy, an initiative of the Australian, State, and Territory Governments. Artspace is assisted by the New South Wales Government through Arts NSW and by the Australian Government through the Australia Council, its principal arts funding body. Artspace is a member of CAOs (Contemporary Art Organisations Australia) and Res Artis (International Association of Residential Art Centres).

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What a World (Copenhagen)

In Copenhagen, the world’s richest leaders continued their fiery fossil fuel party last Friday night, December 18, ignoring requests of global village neighbours to please chill out. Instead of halting the hedonism, US President Barack Obama and the Euro elites cracked open the mansion door to add a few nouveau riche guests: South Africa’s Jacob Zuma, China’s Jiabao Wen (reportedly the most obnoxious of the lot), Brazil’s Lula Inacio da Silva and India’s Manmohan Singh. By Saturday morning, still drunk with their power over the planet, these wild and crazy party animals had stumbled back onto their jets and headed home.

The rest of us now have a killer hangover, because on behalf mainly of white capitalists (who are having the most fun of all), the world’s rulers stuck the poor and future generations with the vast clean-up charges – and worse: certain death for millions.

The 770 parts per million of carbon in the atmosphere envisaged in the “Copenhagen Accord” signatories’ promised 15% emissions cuts from 1990 levels to 2020 – which in reality could be a 10% increase once carbon trading and offset loopholes are factored in – will cook the planet, say scientists, with nine out of 10 African peasants losing their livelihood.

The most reckless man at the party, of course, was the normally urbane, Ivy League-educated lawyer who, a year ago, we hoped might behave with the dignity and compassion behooving the son of a leading Kenyan intellectual. But in Obama’s refusal to lead the global North to make the required 45% emissions cuts and offer payment of the US$400 billion annual climate debt owed to Third World victims by 2020, Obama trashed not only Africa but also the host institution, according to 350.org leader Bill McKibben: “he blew up the United Nations.”

Patrick Bond, “How to cure the post-Copenhagen hangover” (read the rest of the article here)

At the 3 degrees rise predicted by the UN on the basis of current negotiating positions, you can declare the game over. That is potentially the tipping point beyond which it is impossible to regain any control over global temperatures, the point at which positive feedback mechanisms cause temperatures to increase exponentially. I cannot adequately describe the full horror of such a scenario – the food shortages, the droughts, the floods, the fleeing of millions of people from newly uninhabitable territory, the intensified geopolitical competition over basic resources, the extinction of half or more of the species on the planet… it’s just unthinkable. But, as Copenhagen shows, unthinkable horror is exactly what the rulers of the world have in store for us.

− Lenin’s Tomb, “Hope? Nope” (read the rest of the weblog here)

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