Daily Archives: May 2, 2013

Breaking the Silence on the Art World: ArtLeaks Gazette Launch @ Brecht Forum (May 4th, NYC)

art-leaks.org

546092_490420224358441_679844155_nCredit: Zampa di Leone

We are happy to share with you the details of the official public launch of our ArtLeaks Gazette which will take place at the Brecht Forum in NYC on Saturday, May 4th from 7 PM!  Hope to see many of you there – we promise it will be  an exciting evening! Please help us spread the word by sharing this announcement!

ArtLeaks members would like to initiate an open discussion at the Brecht Forum in NYC on May 4th from 7 PM, around our upcoming ArtLeaks Gazette, focused on establishing a politics of truth by breaking the silence on the art world. This will be the official public launch of our gazette, which will be available online and in print at the beginning of May 2013, and will be followed by a series of debates in the near future.

Artleaks was founded in 2011 as an international platform for cultural workers where instances of abuse, corruption and exploitation are exposed and submitted for public inquiry. After almost two years of activity, some members of ArtLeaks felt an urgent need to establish a regular online publication as a tool for empowerment, reflection and solidarity. (More about us here: http://art-leaks.org/about.)

Recently, this spectrum of urgencies and the necessity to address them has come sharply into the focus of fundamental discussions in communities involved in cultural production and leftist activist initiatives. Among these, we share the concerns of groups such as the Radical Education Collective (Ljubljana), Precarious Workers’ Brigade (PWB) (London), W.A.G.E. (NYC), Arts &Labor (NYC), the May Congress of Creative Workers (Moscow), Critical Practice (London) and others.

Eager to share our accumulated knowledge and facilitate a critical examination of the current conditions of the cultural field from a global perspective, we are equally interested in questioning, with the help of the participants in the event, the particular context of New York City with its cultural institutions, scenes and markets.

The event will be divided in two parts. In the first, we will announce and present the forthcoming ArtLeaks Gazette. Focusing on the theme “Breaking the Silence – Towards Justice, Solidarity and Mobilization,” the structure of the publication comprises six major sections: A. Critique of cultural dominance apparatuses; B. Forms of organization and history of struggles; C. The struggle of narrations; D. Glossary of terms; E. Education and its discontents; and F. Best practices and useful resources (More here http://art-leaks.org/artleaks-gazette.) This publication gathers contributions from different parts of the globe, highlighting both historical initiatives and emerging movements that engage issues related to cultural workers rights, censorship, repression and systemic exploitation under conditions of neoliberal capitalism.

This also becomes an opportunity to bring up for discussion a series of questions that have defined ArtLeaks’ activity and that we would like to tackle anew in conjunction with local cultural producers in the second part of the event: What are the conditions of the possibility of leaking information concerning institutional exploitation, censorship, and corruption in the art world? What does it mean to speak the truth in the art field and to whom may it be addressed? What analogies and what models can we use in order to describe and operate within the conditions in which cultural workers pursue their activities? We aim to bestow a greater level of concreteness to these questions by inviting the participants to share its own concerns and experiences related to inequality of chances, structural injustice and forced self-censorship within the context of their work. We are also interested in discussing current collaborations and future alliances and projects that unite common struggles across international locales. Visual and scriptural material which documents the evening will be uploaded on the ArtLeaks platform.

Gazette Contributors: Mykola Ridnyi, Gregory Sholette, Marsha Bradfield & Kuba Szreder (Critical Practice), Fokus Grupa, Amber Hickey, Lauren van Haaften-Schick, Organ kritischer Kunst, Veda Popovici, Milena Placentile, Jonas Staal & Evgenia Abramova

Gazette Editors: Corina L. ApostolVladan Jeremić, Vlad Morariu, David Riff & Dmitry Vilensky

Editing Assistance: Jasmina Tumbas

Graphic Intervetions: Zampa di Leone

Facilitators of the event @ Brecht Forum: Corina Apostol & Dmitry Vilensky

The Brecht Forum has a  donation sliding scale of $6 to $15. We recommend registering for this event in advance here. Even if you are unable to make a donation, we still encourage you to come – we will not turn away anyone that wishes to participate in the discussions.

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Filed under activism, contemporary art, critical thought, open letters, manifestos, appeals

Leningrad’s Perestroika: Crosscurrents in Photography, Video, and Music (Zimmerli Art Museum)

www.zimmerlimuseum.rutgers.edu

Leningrad’s Perestroika: Crosscurrents in Photography, Video, and Music

Ludmila Fedorenko: Untitled, 1989
April 20, 2013 – September 13, 2013
Dodge Wing Lower Level
Zimmerli Art Museum at Rutgers University
71 Hamilton Street
New Brunswick, NJ 08901-1248

This exhibition highlights the unique photographic, video, and musical innovations that shaped the Leningrad (now known as St. Petersburg) unofficial art culture during the period of glasnost and perestroika. It presents for the first time photographers, musicians, and video artists as active members of groups, rather than individual producers, to underscore their collective goals as part of a larger counter-cultural phenomenon in the city. The eclectic body of material produced over the span of a transformative decade shared a common goal: to stimulate the audience’s imagination in such a way as to disrupt everyday social interaction. Photography and video were considered unique media, able to cross the boundary between the present and the past, and thus became an important tool for fostering a reflective process. Their documentary character was exploited to reveal the city to its inhabitants, connecting individuals to the rapid transformations of Soviet society, while opening an anticipatory window into the future. Works by 20 artists are featured, the majority of which have never been exhibited before.

Organized by Corina L. Apostol, Dodge Fellow at the Zimmerli and Ph.D.candidate, Department of Art History

The exhibition is supported by the Avenir Foundation Endowment Fund.

Related Programs
Art After Hours: Russian Art, Rock, and Film / Wednesday, May 1, 2013

Political Narration in Contemporary Photography and Film / Thursday, May 2, 2013
Location: Plangere Writing Center in Murray Hall, Room 302, College Avenue Campus
Sponsored by the Developing Room with assistance from the Zimmerli Art Museum, Rutgers University

Image: Ludmila Fedorenko, Untitled, 1989. Silver gelatin print. Collection Zimmerli Art Museum at Rutgers, Norton and Nancy Dodge Collection of Nonconformist Art from the Soviet Union

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developingroom.com

Photography, Film & Political Narration


This event explores strategies of political narration in contemporary photography and film. Discussion will focus on the practices of Dmitry Vilensky and his collective Chto Delat?/What Is To Be Done? Operating at the intersection of political theory, art, and activism, the artists’ work deftly combines photography, film, and audio commentary. Its goal is to bring back into memory events of the past that hold emancipatory potential for the present. Vilensky will facilitate a discussion of his practices, which are featured in the exhibition Leningrad’s Perestroika: Crosscurrents in Photography, Video and Music, on view at the Jane Voorhees Zimmerli Art Museum from April 20 to September 13, 2013.

Organized by Corina Apostol, this event is co-sponsored by the Zimmerli Art Museum and the Developing Room.

For more information:
http://www.chtodelat.org
http://www.zimmerlimuseum.rutgers.edu

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Filed under art exhibitions, film and video, Russian society