Due to irreconcilable differences between the editorial staff of Chtodelat News and the Chto Delat work group, this blog is closed until further notice. Archival materials from the past five years will still be available here, but no new postings will be made from today.
Monthly Archives: May 2013
Breaking the Silence on the Art World: ArtLeaks Gazette Launch @ Brecht Forum (May 4th, NYC)
We are happy to share with you the details of the official public launch of our ArtLeaks Gazette which will take place at the Brecht Forum in NYC on Saturday, May 4th from 7 PM! Hope to see many of you there – we promise it will be an exciting evening! Please help us spread the word by sharing this announcement!
ArtLeaks members would like to initiate an open discussion at the Brecht Forum in NYC on May 4th from 7 PM, around our upcoming ArtLeaks Gazette, focused on establishing a politics of truth by breaking the silence on the art world. This will be the official public launch of our gazette, which will be available online and in print at the beginning of May 2013, and will be followed by a series of debates in the near future.
Artleaks was founded in 2011 as an international platform for cultural workers where instances of abuse, corruption and exploitation are exposed and submitted for public inquiry. After almost two years of activity, some members of ArtLeaks felt an urgent need to establish a regular online publication as a tool for empowerment, reflection and solidarity. (More about us here: http://art-leaks.org/about.)
Recently, this spectrum of urgencies and the necessity to address them has come sharply into the focus of fundamental discussions in communities involved in cultural production and leftist activist initiatives. Among these, we share the concerns of groups such as the Radical Education Collective (Ljubljana), Precarious Workers’ Brigade (PWB) (London), W.A.G.E. (NYC), Arts &Labor (NYC), the May Congress of Creative Workers (Moscow), Critical Practice (London) and others.
Eager to share our accumulated knowledge and facilitate a critical examination of the current conditions of the cultural field from a global perspective, we are equally interested in questioning, with the help of the participants in the event, the particular context of New York City with its cultural institutions, scenes and markets.
The event will be divided in two parts. In the first, we will announce and present the forthcoming ArtLeaks Gazette. Focusing on the theme “Breaking the Silence – Towards Justice, Solidarity and Mobilization,” the structure of the publication comprises six major sections: A. Critique of cultural dominance apparatuses; B. Forms of organization and history of struggles; C. The struggle of narrations; D. Glossary of terms; E. Education and its discontents; and F. Best practices and useful resources (More here http://art-leaks.org/artleaks-gazette.) This publication gathers contributions from different parts of the globe, highlighting both historical initiatives and emerging movements that engage issues related to cultural workers rights, censorship, repression and systemic exploitation under conditions of neoliberal capitalism.
This also becomes an opportunity to bring up for discussion a series of questions that have defined ArtLeaks’ activity and that we would like to tackle anew in conjunction with local cultural producers in the second part of the event: What are the conditions of the possibility of leaking information concerning institutional exploitation, censorship, and corruption in the art world? What does it mean to speak the truth in the art field and to whom may it be addressed? What analogies and what models can we use in order to describe and operate within the conditions in which cultural workers pursue their activities? We aim to bestow a greater level of concreteness to these questions by inviting the participants to share its own concerns and experiences related to inequality of chances, structural injustice and forced self-censorship within the context of their work. We are also interested in discussing current collaborations and future alliances and projects that unite common struggles across international locales. Visual and scriptural material which documents the evening will be uploaded on the ArtLeaks platform.
Gazette Contributors: Mykola Ridnyi, Gregory Sholette, Marsha Bradfield & Kuba Szreder (Critical Practice), Fokus Grupa, Amber Hickey, Lauren van Haaften-Schick, Organ kritischer Kunst, Veda Popovici, Milena Placentile, Jonas Staal & Evgenia Abramova
Gazette Editors: Corina L. Apostol, Vladan Jeremić, Vlad Morariu, David Riff & Dmitry Vilensky
Editing Assistance: Jasmina Tumbas
Graphic Intervetions: Zampa di Leone
Facilitators of the event @ Brecht Forum: Corina Apostol & Dmitry Vilensky
The Brecht Forum has a donation sliding scale of $6 to $15. We recommend registering for this event in advance here. Even if you are unable to make a donation, we still encourage you to come – we will not turn away anyone that wishes to participate in the discussions.
Leningrad’s Perestroika: Crosscurrents in Photography, Video, and Music (Zimmerli Art Museum)
Leningrad’s Perestroika: Crosscurrents in Photography, Video, and Music
April 20, 2013 – September 13, 2013
Dodge Wing Lower Level
Zimmerli Art Museum at Rutgers University
71 Hamilton Street
New Brunswick, NJ 08901-1248
This exhibition highlights the unique photographic, video, and musical innovations that shaped the Leningrad (now known as St. Petersburg) unofficial art culture during the period of glasnost and perestroika. It presents for the first time photographers, musicians, and video artists as active members of groups, rather than individual producers, to underscore their collective goals as part of a larger counter-cultural phenomenon in the city. The eclectic body of material produced over the span of a transformative decade shared a common goal: to stimulate the audience’s imagination in such a way as to disrupt everyday social interaction. Photography and video were considered unique media, able to cross the boundary between the present and the past, and thus became an important tool for fostering a reflective process. Their documentary character was exploited to reveal the city to its inhabitants, connecting individuals to the rapid transformations of Soviet society, while opening an anticipatory window into the future. Works by 20 artists are featured, the majority of which have never been exhibited before.
Organized by Corina L. Apostol, Dodge Fellow at the Zimmerli and Ph.D.candidate, Department of Art History
The exhibition is supported by the Avenir Foundation Endowment Fund.
Art After Hours: Russian Art, Rock, and Film / Wednesday, May 1, 2013
Political Narration in Contemporary Photography and Film / Thursday, May 2, 2013
Location: Plangere Writing Center in Murray Hall, Room 302, College Avenue Campus
Sponsored by the Developing Room with assistance from the Zimmerli Art Museum, Rutgers University
Image: Ludmila Fedorenko, Untitled, 1989. Silver gelatin print. Collection Zimmerli Art Museum at Rutgers, Norton and Nancy Dodge Collection of Nonconformist Art from the Soviet Union
Photography, Film & Political Narration
This event explores strategies of political narration in contemporary photography and film. Discussion will focus on the practices of Dmitry Vilensky and his collective Chto Delat?/What Is To Be Done? Operating at the intersection of political theory, art, and activism, the artists’ work deftly combines photography, film, and audio commentary. Its goal is to bring back into memory events of the past that hold emancipatory potential for the present. Vilensky will facilitate a discussion of his practices, which are featured in the exhibition Leningrad’s Perestroika: Crosscurrents in Photography, Video and Music, on view at the Jane Voorhees Zimmerli Art Museum from April 20 to September 13, 2013.
Organized by Corina Apostol, this event is co-sponsored by the Zimmerli Art Museum and the Developing Room.
For more information:
Filed under art exhibitions, film and video, Russian society
The Condition of the Working Class (film)
This film is inspired by Engels’ book written in 1844, The Condition of the Working Class in England. How much has really changed since then?
In 2012 a group of working class people from Manchester and Salford come together to create a theatrical show from scratch based on their own experiences and Engels’ book. They have eight weeks before their first performance. The Condition of the Working Class follows them from the first rehearsal to the first night performance and situates their struggle to get the show on stage in the context of the daily struggles of ordinary people facing economic crisis and austerity politics. The people who came together to do the show turned from a group of strangers, many of whom had never acted before, into The Ragged Collective, in little more than two months.
This film, full of political passion and anger, is a wonderful testament to the creativity, determination and camaraderie of working people that blows the media stereotypes of the working class out of the water.
The Condition of the Working Class will be screened in these venues in 2013:
All screenings will be followed by a Q & A with the film’s directors.
Wednesday May 1st NOTTAGE MARITIME INSTITUTE 7.30pm. The Quay, Wivenhoe, Colchester, Essex CO7 9BX.
Tuesday May 7th: CALDERS BOOKSHOP London, The Cut, Waterloo, 7.30pm. http://calderbookshop.com/
Wednesday May 8th: GOLDSMITH’S UNIVERSITY New Cross, London, 6.30pm, main building (RHB) room 144.
Saturday May 11th: UPSTAIRS AT THE CARRIAGE WORKS, Leeds, 7.30pm. http://www.carriageworkstheatre.org.uk/
Tuesday May 14th: CALDERS BOOKSHOP London, The Cut, Waterloo, 7.30pm. http://calderbookshop.com/
Tuesday May 14th: SCREENING IN NEW YORK AS PART OF THE WORKERS UNITE FILM FESTIVAL http://www.workersunitefilmfestival.org/schedule/
Wednesday May 15th: THE WORKING CLASS MOVEMENT LIBRARY, Salford, 2pm. http://www.wcml.org.uk/
Saturday May 18th: MINERS COMMUNITY CENTRE, Moston, 7.30pm. http://www.smallcinema.re-dock.org/category/films. Invited back for a second screening at the Moston! We can’t be there this time but hopefully some of the Ragged Collective may be.
Saturday May 25th: LA CASA, Liverpool 2.pm at 29 Hope Street, L1 9BQ.
Thursday June 6th: The CLF ART CAFE, 7.30pm. 133 Rye Lane, London, SE15 4ST.
Friday June 7th: THE WORKING MEN’S COLLEGE, 7.00pm. 44 Crowndale Rd, London, NW1 1TR.
Tuesday June 11th: THE HOUSE OF COMMONS (GRAND COMMITTEE ROOM), 7.30pm (This is a public screening, please allow 20 mins to get through security).
Wednesday June 12th: METAL AT EDGE HILL STATION, 6.30pm. Tunnel Road, Liverpool http://www.metalculture.com/
Thursday June 13th: NORTHERN VISIONS MEDIA CENTRE , 5.30pm 23 Donegall Street, Belfast.
This is part of the Irish Congress of Trades Unions’ Festival of Ideas.
Saturday June 15th: DELI-LAMA CAFE, 3.00pm. 220 Chapel Street, Salford.
Sunday June 16th: UNOFFICIAL HISTORIES CONFERENCE, Peoples History Museum – but open only to conference attendees.
Saturday June 22nd: THE NEW THEATRE CONNOLLY BOOKS, 2.00pm 43 Essex Street, Dublin.
MORE DATES TO FOLLOW
Filed under film and video, leftist movements