Daily Archives: September 22, 2011

Creative Time: Living as Form (New York City)

creativetime.org

Living as Form is an unprecedented, international project exploring over twenty years of cultural works that blur the forms of art and everyday life, emphasizing participation, dialogue, and community engagement.

Living as Form provides a broad look at a vast array of socially engaged practices that appear with increasing regularity in fields ranging from theater to activism, and urban planning to visual art. The project brings together twenty-five curators, documents over 100 artists’ projects in a large-scale survey exhibition inside the historic Essex Street Market building, features nine new commissions in the surrounding neighborhood, and provides a dynamic online archive of over 350 socially engaged projects.

Living as Form will culminate with a book, co-published by Creative Time Books and MIT Press, that will highlight projects from the exhibition archive, as well as commissioned essays from noted critics and theorists in the field, including Carol Becker, Claire Bishop, Teddy Cruz, Brian Holmes, Maria Lind, and Shannon Jackson. Detailing some of the most important socially engaged projects from the last twenty years, this unique archive will provide key examples, allow insights into methodologies, contextualize the conditions of site, and broaden the range of what constitutes this form. Living as Form: Socially Engaged Art from 1991-2011 will be out in January 2012.

Invited artists, organizers, and groups include:
Ai Weiwei; Ala Plástica; Jennifer Allora and Guillermo Calzadilla; Lara Almarcegui and Begoña Movellán; Alternate ROOTS; Francis Alÿs; Appalshop; Claire Barclay; Barefoot Artists; Basurama; Marilyn Douala Bell and Didier Schaub; BijaRi; Stephen Biko and partners; Bread and Puppet Theatre; CAMP; Cemeti Art House; Mel Chin; Chto delat? (What is to be done?); Colectivo Cambalache; Phil Collins; Complaints Choir; Céline Condorelli and Gavin Wade; Cornerstone Theater Company; Minerva Cuevas; Cybermohalla Ensemble; Decolonizing Architecture; Jeremy Deller; Mark Dion, J. Morgan Puett, and collaborators; Fallen Fruit; Finishing School; Free Class Frankfurt/M.; Frente 3 de Fevereiro; Theaster Gates; Paul Glover; Josh Greene; Federico Guzmán and Alonso Gil; Fritz Haeg; Haha; Harlem (Election Night 2008); Jeanne van Heeswijk; Helena Producciones; Stephen Hobbs and Marcus Neustetter; Fran Ilich; Farid Jahangir and Sassan Nassiri, Bita Fayyazi, Ata Hasheminejad, and Khosrow Hassanzedeh; Kein Mensch Ist Illegal (No One Is Illegal); Amal Kenawy; Suzanne Lacy; Steve Lambert, Andy Bichlbaum of The Yes Men, and collaborators; The Land Foundation; Long March Project; Los Angeles Poverty Department; Rick Lowe; Mammalian Diving; Reflex/Darren O’Donnell; Mardi Gras Indian Community; Eduardo Vázquez Martín; Angela Melitopoulos; Zayd Minty; The Mobile Academy; Mongrel; Anthea Moys and Bronwyn Lace; Mujeres Creando; Vik Muniz; NSK (Neue Slowenische Kunst); Nuts Society; John O’Neal; Oda Projesi; Wendelien van Oldenborgh; Marion von Osten and collaborators; Park Fiction, part of the Right to the City Network Hamburg; Pase Usted; Piratbyrån (The Bureau of Piracy); Platforma 9.81; Public Movement; Pulska Grupa; Navin Rawanchaikul; Pedro Reyes; Laurie Jo Reynolds; Athi-Patra Ruga; The San Francisco Cacophony Society; Katerina Šedá; Chemi Rosado Seijo; Michihiro Shimabuku; Andreas Siekmann and Alice Creischer; Buster Simpson; Slanguage; Apolonija Sustersic; Tahrir Square (2011); Taller Popular de Serigrafía (TPS); Mierle Laderman Ukeles; Ultra-red; United Indian Health Services; Urban Bush Women; The U.S. Social Forum; Voina; Peter Watkins; WikiLeaks; Elin Wikström; WochenKlausur; Women on Waves.

The 15,000 square-foot historic Essex Street Market building in the Lower East Side of Manhattan serves as the hub for Living as Form. An architectural environment designed by the collective Common Room houses the Living as Form archival exhibition, a vast collection of documentation of 100 socially engaged projects from the last twenty years and from locations around the globe. In addition, the exhibition space will be activated by a series of events and performances, and offer dynamic areas for artists and collectives to present new work throughout the show.

September 24–October 16
Thursday–Sunday, 12–8 PM
The historic Essex Street Market
Southeast corner of Essex and Delancey Streets
(entrance on Delancey), NYC

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Filed under activism, art exhibitions, contemporary art, urban movements (right to the city)

Ephemera: Communism of Capital? (Call for papers)

Call for Papers for an ephemera Special Issue on: Communism of Capital?

Issue Editors: Armin Beverungen, Anna-Maria Murtola and Gregory Schwartz
http://www.ephemeraweb.org/journal/communismofcapital.pdf
Deadline for submissions: 29 February 2012

Today, neoliberal capitalism is increasingly put into question. Whereas two decades ago business school gurus argued that the US was ‘the most “socialist” country around’ (Drucker, 1993: 6), today’s self-appointed business leaders know they cannot do without a certain communism. George Soros, Bill Gates and others refer to themselves – not without irony – as ‘liberal communists’ (Žižek, 2008a). Recognising the evils induced by capitalism these patricians of the market proselytise market philanthropy to deliver many of the ostensible benefits of the communism of yore. Newsweek, reflecting on the national bailout of the banks in response to the financial crisis, declared: ‘We are all socialists now’ (Meacham, 2009). Yet, the one thing that seems beyond question in such projections of communism is capital itself.

At the same time, theories of cognitive capitalism, immaterial labour and biopolitical production suggest that some kind of communism is already at work within capitalism. According to Hardt and Negri, immaterial labour ‘seems to provide the potential for a kind of spontaneous and elementary communism’ (2000: 294). Similarly, Virno defines post-Fordism as ‘the communism of capital’, since it ‘puts forth, in its own way, typical demands of communism (abolition of work, dissolution of the State, etc.)’ (2004: 110-111). The contemporary enjoinments to pursue work that is authentic, ethical, spiritual, evoking and invoking the community, friendship and collaboration (Heckscher and Adler, 2006), chime in with invitations for employees in work organisations to ‘just be themselves’ (Fleming, 2009), thus delivering on some of the promises of communism. From a ‘paleo-Marxist’ perspective (Adler, 2007) we can surmise that concrete changes in technology and work organisation assure us some version of communism in substance, if not in form.

However, such projections of work organisation rely on a commons in production without opening up production to a commons that will tear apart the dominance of capital. For Negri (2008: 157-180), the communism of capital is marked by new forms of capture of the creativity of labour. For Virno (2004: 110), communist demands and objectives have been subject to ‘an insiduous and terrible interpretation’, for example in the way that unemployment and precarity accompany overwork. For Holloway (2010), more fundamentally, it is the communal, communising and communistic doing that, in capitalism, exists in the mode of being denied. For Read, capital operates ‘through the abstractions of money and labour, which are all the more effective in that they are not believed or even grasped’ – ‘the cynicism of the productive powers of the general intellect today, is a cynicism without reserve, in which every aspect of one’s existence, knowledge, communicative abilities and desires become productive’ (2008: 146, 150). The question for Negri, Virno, Holloway and Read, then, is how to overcome this enclosure by capital.

Yet even anti-capitalism seems to return only as communism of capital. As Žižek (2008b) and Fisher (2010) point out, capitalist realism already embraces a certain kind of anti-capitalism – ‘corporate anti-capitalism’ is discernible in the products of Hollywood, such as Wall-E and Avatar, but also in the way that today it is acceptable or encouraged to express anti-capitalist sentiments at work (Fleming, 2009). Anti-capitalism as a signifier thus loses its radical edge, especially as it is contained within a parliamentary democratic politics (Žižek, 2008b: 184). Indeed, the more gushing the moralism against the evils of our age, the more certain the conclusion that capitalism is an eternal, natural system of social organisation.

At this impasse we might be at once more sceptical and more hopeful. We might hedge doubts about the communism of capital in view of Groys’ (2009) argument that language – the basis of a communist politics – will remain silent as long as the commodity form mediates it. We might question the communism of capital by insisting, with Ranciere (2010), on the politics of emancipation and not the logos of history as the purveyor of communism. We might deny its ethical claims by revealing the underlying ‘ontology of profit’ (Badiou, 2008: 47) – that with capitalism as ‘a system that hands the organization of our collective life over to the lowest instincts, to greed, rivalry and unconscious egotism’ (Badiou, 2010: 96) the communism of capital is a simulacra of late capitalism. And if communism is ‘not a state of affairs which is to be established, an ideal to which reality [will] have to adjust itself’, then where are we to look for ‘the real movement which abolishes the present state of things’ (Marx and Engels, 1998: 57; emphases in original)?

Contributions

For this special issue of ephemera we invite contributions that address various aspects of what could be conceived as the communism of capital. We are especially interested in papers that try to cover the following interrelated areas of organisational inquiry.

First, we are interested in contributions that seek to locate the attempts by capital to organise society as producers. For example, in what ways are social forms mobilised in the name of a discernible communism, and how do such dispositifs reproduce the dominance of capital? Based on postworkerist/autonomist thought, how or to what extent is production based on the common, and what kinds of political effects does this produce? Alternatively, drawing on the Lacanian/Hegelian tradition, how does anti-capitalist ideology work in practice in the organisation of work, and what negations and contradictions are involved?

Second, papers could explore how capital organises consumption in society via affective, discursive and cognitive means. For example, how do contemporary ideas of corporate social responsibility, business ethics or leadership utilise ideas of communism? In what ways, and to what extent, do efforts to purvey capitalism as, essentially, a creature of communism lead to new ways of constructing (and consuming) the subjects of capital?

Third, we welcome papers that interrogate how capital organises politics and the state. For example, there is a way in which the state, by over-coding existing codes and values, uses the terminology and imagery of ‘community’ to refer to ways of fragmenting and depoliticising its social responsibility in the face of escalating inequality, poverty and precarity generated by capital. How might we understand this apparent harkening to deep-seated, basic communalism in terms of the communism of capital, with the state presiding over the inscription of the social body as a renewed object of appropriation of capital?

Finally, we welcome theoretical or empirical contributions that bring together or provide a cross-examination of some or all of the above areas of inquiry. For example, following Guattari and Negri’s (2010) proposition of the pre-eminence of organisation, how might we move from the communism of capital towards the communism discussed by Marx and Engels in 1848? Or, in addition to the post-workerist, autonomist, Lacan- and Hegel-inspired approaches that we have discussed here, in what other ways might communism, beyond capital, today be thought or advanced?

Deadline for submissions: 29 February 2012

Please send your submissions to the editors. All contributions should follow ephemera guidelines – see http://www.ephemeraweb.org/journal/submit.htm. In addition to full papers, we also invite notes, reviews, and other kinds of contributions – please get in touch to discuss how you would like to contribute. In anticipation of the special issue, we plan to host an event on the themes, at which we will ask the selected contributors to present their work.

Armin Beverungen, armin.beverungen@googlemail.com

Anna-Maria Murtola, annamariamurtola@gmail.com

Gregory Schwartz, g.schwartz01@gmail.com

References

Adler, P. (2007) ‘The future of critical management studies: A paleo-Marxist critique of labour process theory’, Organization Studies, 28(9): 1313-1345.

Badiou, A. (2008) The meaning of Sarkozy, trans. D. Fernbach. London: Verso.

Badiou, A. (2010) The communist hypothesis, trans. D. Macey and S. Corcoran. London: Verso.

Drucker, P. (1993) Post-capitalist society. New York: HarperBusiness.

Fisher, M. (2010) Capitalist realism: Is there no alternative? London: Zero Books.

Fleming, P. (2009) Authenticity and the cultural politics of work. Oxford: Oxford University Press.

Groys, B. (2009) The communist postscript. London: Verso.

Guattari, F. and A. Negri (2010) New lines of alliance, new spaces of liberty, trans. M. Ryan, J. Becker, A. Bove and N. Le Blanc. London: Minor Compositions / Autonomedia / MayFly.

Hardt, M. and A. Negri (2000) Empire. Cambridge: Harvard University Press.

Heckscher, C. and P. S. Adler (2006) The firm as collaborative community: Reconstructing trust in the knowledge economy. Oxford: Oxford University Press.

Holloway, J. (2010) Crack capitalism. London: Pluto Press.

Marx, K. and F. Engels (1992 [1848]) The communist manifesto. Oxford: Oxford University Press.

Marx, K. and F. Engels (1998) The German ideology. New York: Prometheus Books.

Meacham, J. (2009) ‘We are all socialists now’, Newsweek, 6 February 2009. [http://www.newsweek.com/2009/02/06/we-are-all-socialists-now.html].

Negri, A. (2008) Goodbye Mr. Socialism: Radical politics in the 21st century. London: Serpent’s Tail.

Ranciere, J. (2010) ‘Communists without communism?’, in C. Douzinas and S. Žižek (eds.) The idea of communism. London: Verso.

Read, J. (2008) ‘The age of cynicism: Deleuze and Guattari on the production of subjectivity in capitalism’, in I. Buchanan and N. Thoburn (eds.) Deleuze and politics. Edinburgh: Edinburgh University Press

Virno, P. (2004) A grammar of the multitude: For an analysis of contemporary forms of life. New York: Semiotext(e).

Žižek, S. (2008a) Violence. London: Profile Books.

Žižek, S. (2008b) In defense of lost causes. London: Verso.

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