Daily Archives: April 23, 2010

Communism’s Afterlives (Brussels/Paris)

COMMUNISM’S AFTERLIVES

The seminar will take place in Brussels and Paris, in both cases at The Public School.

Brussels, April 23rd, 3-6pm
Participants: Agency, Dessislava Dimova, Albert Heta, Olga Kisseleva
For more information: http://brussels.thepublicschool.org/class/2336

Paris, April 24th, 3-6pm
Participants: Pietro Bianchi, Renata Poljak, Société Réaliste, Oxana Timofeeva
For more information: http://paris.thepublicschool.org/class/1773

Organized by Elena Sorokina and Natasa Petresin-Bachelez

After the collapse of the Soviet bloc, communism as idea, image or problem has been regarded as “outmoded, absurd, deplorable or criminal, depending on the case.” Today, it is often presented by the mainstream media as a parenthesis of history, an aberration of the 20th century, as “a completely forgotten word, only to be identified with a lost experience.” Although the communist hypotheses of previous eras may no longer be valid, their histories, narratives and key notions have never ceased to spark attention and inform recent discussions such as the communal versus the common, and material versus immaterial property, to name just a few. Perceived from a greater distance today, communism has re-emerged as a topic for investigation in artistic and exhibition production, that reflects it in diverse ways, addressing the relevance of the term today or inviting provocative comparisons with the present.

This seminar aims at presenting various works that recast ideas related to communism and revisit it as a complex and diverse arena of political and aesthetic attitudes, which varied between nations, communities and historical periods. By no means does the seminar intend to take a nostalgic tour through the past decades, but rather seeks to address the topic through concrete art and exhibition projects realized recently. All of them are trying to deconstruct the idea of monolith, still very present in today’s reception, and to recuperate various episodes, stories and notably, the “communist apocrypha” – texts, music, visual production – which have never been part of the established ideological canon, and whose intellectual patterns shed new light on what the contemporary uses of the notion of communism might be. Instead of treating communism as pure political abstraction, the projects presented by the seminar deal with concepts, events and/or particular personalities related to communism and its history which have survived the Bildersturm of the recent past and can be artistically reactivated.

Facebook event:

http://www.facebook.com/profile.php?id=532787364#!/event.php?eid=101896426520537&ref=mf

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Filed under contemporary art, critical thought

May Day Congress-Commune of Creative Workers (Moscow)

First Open 48-Hour May Day Congress-Commune of Creative Workers. Moscow, April 29–30, 2010

Over the course of the two days, artists, researchers, translators, teachers, curators, union activists, journalists, writers and musicians from all over Russia will take part in round-table discussions, talk-marathons, poetry readings, and concerts. In recent years, the participants have been involved in many artistic and research initiatives that address the social and economic situation of creative workers in contemporary Russian society.

As neoliberalism continues to establish its hold, its ugly manifestations have become a daily reality for all of us. Not only have exploitation and lack of freedom taken on increasingly elaborate forms, but the very resourcefulness and creative potential of artists and researchers are also appropriated and capitalized by employers. It is against this backdrop that the issues raised by the phenomenon of precarious labor have become ever more pressing. It is our conviction that a reassessment of the precarious worker’s position in today’s economic structure calls for joint action in search of a new cultural space and an alternative educational platform outside of and beyond the fraudulent logic of the neoliberal market economy. Alongside the struggle against injustice at the workplace, collective defense of rights within militant trade unions, and street politics, we are now making another crucial step towards a re-examination of our position and, therefore, towards change.

he May Congress builds on and develops the experience of such earlier projects as Drift. Narvskaya Zastava (St. Petersburg—Moscow, 2004–2005), Self-Education(s) (exhibition, Moscow, 2006), 68.08. Street Politics (exhibition, Moscow, 2008), and Leftist Art. Leftist History. Leftist Philosophy. Leftist Poetry (seminar, Nizhny Novgorod, 2009).

The Congress will be organized around two main thematic clusters: LABOR and SELF-ORGANIZATION. The third, practice-oriented section of the congress will take place on the morning of May 1, International Workers’ Day, which celebrates unity and solidarity. Congress participants will take to the streets of Moscow to form their own joyful and creative column.

The Congress will provide modest dorm-like accommodations for its participants on the premises of Proekt-Fabrika (Moscow, Perevedenovsky pereulok, 18).

Scheduled participants/projects: Vpered Socialist Movement; Chto Delat; Translit Almanac; Seminar Group; Street University; From Community to Union; Educational Film Group; Megazine.Biz; Kinote.Info; Keti Chukhrov/Mobile Theater of the Communist; Free Marxist Press; Liberated Marxist Food; Here and Everywhere Studio; Everything That’s Filmed; Institute for Collective Action; Verkhotura and Friends.

You can read texts that have inspired congress participants here (in Russian and English).

If you wish to make a donation to the congress, you may do so in the following ways:

US Dollars: Alfa-Bank Account No. 40817840704190003607
Euros: Alfa-Bank Account No. 40817978104980006548
Rubles:
Yandex Money Account No. 41001516866888

For more information, write to: may-congress@yandex.ru

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Filed under activism, alternative education, contemporary art, critical thought, open letters, manifestos, appeals, Russian society