David Riff: The Paris Commune as Seen by Nineteenth-Century Television
La Commune by Peter Watkins is probably one of the best films I have ever seen online. It is also one of the longest. In fact, its duration is five and three quarter hours long to be exact, and the film can be found on YouTube in a breathtaking total of 26 nine-minute parts that will take between two and five days to watch. This sounds daunting, but once you start watching, you’ll find you can’t stop. Here is the first installment:
Chronicles of Perestroika
This film by Dmitry Vilensky is intended to be viewed before Perestroika Songspiel (see below). Vilensky turned two hours of archive footage into sixteen minutes of video. This footage of demonstrations in Leningrad during perestroika (1987-1991) was provided by the Petersburg Documentary Film Studio. The filmmaker is especially grateful to the unknown cameramen who recorded these unique moments in history, as well as to Sergei Gelver, who has preserved this priceless archive.
The soundtrack was composed by Mikhail Krutikov.
Hello Sarah Palin we wrote this song for you because we see you from Russia! Plz respond to our emails!! We like to hear from you!!
More news from the invisible front in the war of all against all. This week’s topics include: Eric Hobsbawm, Paul Virilio, Steven Shaviro, and Rick Kuhn on the world financial crisis; the effects of the crisis in Russia and the government’s attempts to pretend that Russia is an “island of stability”; Sarah Palin as “absolute terror” and the idiotic oligarchy leading the US to certain ruin; the Republican Party’s efforts to rig the vote in the US; white supremacists in the US try to go respectable; the “racist” vote for Obama; ten reasons why leftists should vote for Obama; the massive turn of young Japanese to the Communist Party; and an appreciation of filmmaker Peter Watkins. Continue reading
This shocking report comes to us via Brian Holmes on the nettime mailing list. Here is how he prefaced it:
Sorry for any cross-posting, but this material from Emily Foreman is important to get out. Despite the good news from the polls we are still living under the boot here in the USA. Poor people’s lives get wasted in the war, and when they try to participate in the democracy they were supposed to be fighting for they get their skull crushed by the police. When is this gonna stop?
I just wanted to draw your attention to this video, particularly these video stills, that i shot during the Iraq Veterans Against the War protest at the final U.S. presidential debates, last Wednesday, in Long Island, NY. The video is extremely disturbing and clearly shows Iraq War Veteran Nick Morgan at the moment when his head was crushed to the sidewalk under a police horse. This story has been completely ignored in the media. He was legally, peacefully and standing on the sidewalk when the event occurred.
The still images speak volumes to this moment in history, please look at them and please get them to people (journalists, activists, veterans) who can use them!
Video links and more information are posted here.
Last Wednesday October 15th 2008, former Army Sergeant Nick Morgan, a 24-year-old veteran of the US war in Iraq, was nearly killed by riot police, his face crushed under a police horse, during a peaceful protest outside the final US presidential debates.
Mario Tronti, Politics at Work
It is time to engage in a new research project. Our theme is: work and politics. Yes, because it is a novelty to concern ourselves with this theme. It says a lot about the condition we find ourselves in. What until some time ago was an old conviction has today become an entirely new realisation: either the workers constitute a political force or they do not exist. And the political inexistence of the workers is of course the problem of the Left, but it is also the problem of society and the state, it is the real theme behind the crisis of civilization. If we don’t put it in these terms, we will not find the compass that we seek in order to orient ourselves in the open seas of world-capitalism, once again thrown into turmoil by affairs that are entirely its own.
Translated by Institute for Conjunctural Research. Full text at link.
Alain Badiou, Of Which Real is this Crisis the Spectacle? (Le Monde, 17 October 2008)
The only thing that we can hope for in this affair is that this didactic power may be found in the lessons drawn from this grim drama by people, and not by the bankers, the governments who serve them, and the newspapers who serve these governments. This return to the real has two related aspects. The first is clearly political. As the film has shown, the “democratic” fetish is merely the zealous servant of the banks. Its real name, its technical name, as I have argued for some time, is capitalist-parliamentarianism. It is advisable, as several political experiments have begun to do in the past twenty years, to organise a politics of a different nature. Continue reading
7:00 p.m., October 23, 2008
ART Strelka Cultural Center
Moscow, Bersenevskaya nab., 14, bldg. 5
DJ Fakie Mistake: minimal warm-up
Kirill Medvedev and Prohor: Pier Paolo Pasolini’s “On Violence” and other poems (industrial hip-hop)
DJ Spirin: antifa disco
We invite all PEOPLE who do give a fuck about the wild outburst of neo-Nazism in its most disgusting forms; PEOPLE who have noticed how the new fascists have been transformed from pimple-faced pubescents in high, thick-soled boots into quick-witted, well-read champion athletes; PEOPLE who, nevertheless, have not stopped feeling disgust when they encounter THESE fascists; PEOPLE who do give a fuck that war and hunger have come to visit and are sitting on your couch with you and drinking your last cup of green tea; PEOPLE who do give a fuck that art has been turned into a cheap inside joke; PEOPLE who are fucking tired of being made to laugh.
IT’S NOT FUNNY ANYMORE.
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Bearing the declaratively uncompromising, angry title NOFUCKINFUNNY, Nikolay Oleynikov’s new show opens the season at the Paperworks Gallery. The ten gouaches and one album on display here are models of traditional, even somewhat naïve, easel art; on the other hand, they are quasi-comics whose content is one part radical politics, one part existential philosophy. Continue reading
On October 19, 2008, New Street University (Petersburg), Humane Education (Moscow), and OD Group (Moscow) carried out a joint action in a pedestrian underpass on Nevsky Prospect. During the action, which took the form of a man-on-the-street survey, real live sociologists from Moscow pretended to be sociologists, while a rather large live frog was offered up as a sacrifice to passersby.
These unfortunate citizens were first handed leaflets containing the following text:
Stop the Murder of Frogs on Russian Soil!
In the biology department of Moscow State University, antiquated models of education hold sway. It is not only students who suffer from this, but even frogs. The department has not updated its educational methods since Soviet times. In particular, our little green pals are regularly subjected to archaic, bloodthirsty lab experiments. It is not only students whose future careers will require them to be able to work with lab animals who are forced to engage in these practices, but also those who have chosen theoretical majors. Many students have spoken out, asking that students who have chosen one of these specialities be granted the right not to take part in such experiments. One fifth-year student was expelled for refusing to taking part in these unlawful experiments.
There is an alternative—Humane Education! Students can practice on artificial frogs (cats, etc.) and thus gain control of the production of knowledge. Continue reading
Olga Rukosyla was murdered by neo-Nazis on the evening of October 8, 2008, in Irkutsk
I first saw this face, these eyes (on this photograph) twenty minutes ago. Since then, I haven’t been able to stop shaking, although I knew beforehand that I would be seeing the image of a dead human being, a girl who was kicked to death by three Irkutsk neo-Nazis.
Life is such that, as you ride the bus or stand in line at the grocery store, you’re surrounded by people and their eyes. And sometimes you don’t feel like looking into those eyes. Because all too often those eyes reveal stupidity, thoughtlessness, indifference, and aggression.
But this case is different. I would be glad if I had an acquaintance, a friend or even a student like this. I would even be glad to have ended up by chance at a bus stop in Irkutsk and to have looked into these eyes just once.
But no, we were not destined to wait together for a bus and exchange glances.